Science Fiction Museum

In his introduction to The Best American Science and Nature Writing 2003, Richard Dawkins asks, "What is it about science that really gets your blood running?" The authors of the twenty-nine pieces chosen for this volume all offer "eclectic, provocative" answers (Entertainment Weekly). In "Raising the Dead," Scott Weidensaul airs the faint but spine-tingling hope of one day bringing Thylacinus back from the dead through cloning pickled museum specimens. Ian Frazier's extraordinary science reporting in "Terminal Ice" makes glaciers come alive as beautiful and awe-inspiring natural forces, and as harbingers of a globally warmed future. Oliver Sacks, indelibly profiled in Steve Silberman's "The Fully Immersive Mind of Oliver Sacks," contributes a piece himself, on our perennial fascination with extraterrestrial life. Timothy Ferris writes in praise of amateur astronomers; David Ewing Duncan investigates what we might not want to know about genetics; and Elizabeth Loftus takes a stand on the science of false memory. As Richard Dawkins writes, "The science and nature writing of 2002 is not the same as it was ten years ago, partly because we now know more about what is eternally true, but also because the world in which we live changes, and so does science's impact upon it. Some of the essays and articles in this book are firmly date-stamped; some are timeless. We need both." Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundred of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared downto the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind.

"Media, Risk and Science provides a framework for understanding key debates on media representations of science and risk. Stuart Allan effectively weaves together insights from research across diverse disciplines, including the role of science in science fiction, the problem of 'pseudo-science', and how science is displayed in science museums.

Science Fiction Museum and Hall of Fame - The Science Fiction Museum and Hall of Fame is a science fiction museum, said to be the first such museum in the world, located inside the Experience Music Project building at Seattle, Washington, USA's Seattle Center at the base of the Space Needle. It was founded by Paul Allen and Jody Patton and opened to the public on June 18, 2004.

Golden Age of Science Fiction - The Golden Age of Science Fiction, often recognized as a period from the early 1940s through the 1950s, was an era during which the science fiction genre gained wide public attention and many classic science fiction stories were published. The saying "The golden age of science fiction is twelve", from the science fiction fan Peter Graham [Hartwell 1996], means that many readers use "golden age" to mean the time when they first developed a passion for science fiction, often in adolescence.

Foundation: The International Review of Science Fiction - Since it began in 1972, Foundation: The International Review of Science Fiction has published over 9000 pages of articles and reviews about science fiction. Publishing the journal is just one of the activities of the Science Fiction Foundation; other activties include the promotion of the study of science fiction, organizing conferences, and maintaining the Science Fiction Foundation Collection (currently curated by the University of Liverpool), a large library and archive.

Gay science fiction - Gay science fiction is a subgenre of science fiction which contains typical aspects of science fiction, except the main character or protagonist is almost always gay. It often has sexual imagery and aspects of science fiction erotica.

sciencefictionmuseum

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